Gulzar criticizes the same old clichés in Indian cinema. | Hindi movie news
Gulzar, a prominent Urdu poet and lyricist, gave a thought-provoking critique of Indian cinema, highlighting its failure to evolve beyond the trappings of the early talkies.
The Jnanpith awardee, speaking at the 39th Sahitya Akademi’s ‘Samvatsar Lecture’ on Sahityotsav, expressed regret over the persistence of the ‘same old cliches’ in films such as excessive dialogues, songs and fights. did.
As reported in Hindustan Times, Gulzar laments that despite advances in technology and visual effects, the essence of a film’s story remains the same. She points out similarities with the era of films like “Alam Ara” and “Hunter Wali,” which continue to rely on outdated tropes, including predictable plot elements such as chases and action sequences. pointed out.
While Gulzar acknowledged advances in visual effects and the introduction of technologies such as green screens, he expressed concern about the potential impact of artificial intelligence on film storytelling. He urged caution, hoping that technological innovation would not lead to a decline in the quality of stories.
Looking back, Gulzar recalled writer Mohanlal Gopaldas Dave, who adapted Hollywood plots for Indian audiences in the early decades of Indian cinema. He questioned whether modern filmmakers are inadvertently imitating this approach, drawing so much influence from international cinema.
Gulzar’s insightful commentary resonates deeply with his extensive experience spanning seven decades in the film industry. From his beginnings as a songwriter in the 1960s to his contributions as a dialogue writer and screenwriter, Gulzar’s perspective provides valuable insight into the evolution of Indian cinema.
The Jnanpith awardee, speaking at the 39th Sahitya Akademi’s ‘Samvatsar Lecture’ on Sahityotsav, expressed regret over the persistence of the ‘same old cliches’ in films such as excessive dialogues, songs and fights. did.
As reported in Hindustan Times, Gulzar laments that despite advances in technology and visual effects, the essence of a film’s story remains the same. She points out similarities with the era of films like “Alam Ara” and “Hunter Wali,” which continue to rely on outdated tropes, including predictable plot elements such as chases and action sequences. pointed out.
While Gulzar acknowledged advances in visual effects and the introduction of technologies such as green screens, he expressed concern about the potential impact of artificial intelligence on film storytelling. He urged caution, hoping that technological innovation would not lead to a decline in the quality of stories.
Looking back, Gulzar recalled writer Mohanlal Gopaldas Dave, who adapted Hollywood plots for Indian audiences in the early decades of Indian cinema. He questioned whether modern filmmakers are inadvertently imitating this approach, drawing so much influence from international cinema.
Gulzar’s insightful commentary resonates deeply with his extensive experience spanning seven decades in the film industry. From his beginnings as a songwriter in the 1960s to his contributions as a dialogue writer and screenwriter, Gulzar’s perspective provides valuable insight into the evolution of Indian cinema.
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