“Late Night With The Devil” owns the second week.Indian film duo ranks in top 10 – Special Box Office

Bollywood March 31, 2024

IFC Films Late nights spent with the devil It is rare for a Tollywood film and a Bollywood film to both make it into the top 10, and it topped the specialty market in its second week. Strong horror and Indian cuisine are helping to boost box office sales post-COVID-19. They continue to fill the top 10 and boast incredible hits, including this week. Godzilla x Kong: New Empire — However, due to the Hollywood strike, there are generally fewer releases in this region.

The first scary thing is: Until late at night with the devil David Dastmalchian stars as Australian duo Colin and Cameron Cairns in a late 1970s film in which their quest for ratings on a Halloween night broadcast goes awry and they unleash evil into the nation’s tea room. He plays the role of a talk show host perfectly. In its second week, it grossed $2.2 million from 1,442 screens, for a total of $6.2 million. The film once again entered the top 10, coming in at number two. 7.

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“With only a 22% decline due to increased demand and the addition of just 400 screens, we continue to demonstrate the power of quality films in the market, contrary to horror norms,” said Scott Schuman, head of AMC Films Group. He said he was satisfied.

“We are proud that this is IFC’s fifth highest-grossing film,” he added.

last week, late night ” opened with an estimated opening weekend of more than $2.8 million on 1,043 screens, making it the biggest opening weekend in the distributor’s history. 6th place in domestic box office revenue.

This is also the first weekend in about three months that two Indian films have made it into the top 10. Debuted with No. 8, Pratyangira Cinemas Till Square It opened to 450 theaters and grossed $1.83 million.The Telugu (Tollywood) romantic crime film directed by Malik Ram is a sequel to the 2022 film DJ Till. Siddhu Jonnalagadda reprises her role from the previous film while Anupama Parameswaran plays the female lead in this twisty thriller.

9th place goes to FunAsia Films crew, a Bollywood (Hindi) film that opened in 485 theaters with an estimated $1.49 million. A comical adventure in which a group of stewardesses from Mumbai embark on a journey to pursue their dreams. The director is Rajesh Krishnan. Starring Tabu, Kareena Kapoor Khan, Kriti Sanon, Kulbhushan Kharbanda, Kapil Sharma, Diljit Dosanjh, etc. Pooja Bumrah.

Till Square and crew Grossing courtesy of Comscore.

Indian films have long been a staple of the U.S. box office, attracting local and sometimes broader audiences across the country. RRR. But their relative importance has increased post-pandemic, and they remain important even now as release schedules are thinned out. The last time two Indian films were both in the top 10 was in late December. Salar: Part 1 – Ceasefire And Danki. Other recent and well-performing titles include: Patan, Jawan and animal.

Indian films are typically released daily in India and North America, and often feature entire extended families. It usually does not last more than 1 to 2 weeks, except in special cases such as: RRR. But there’s a pretty steady pipeline of new fare to keep the screens busy.

in 11 years^th samuel goldwyn film location In the land of saints and sinners The Liam Neeson-starring film grossed an estimated $1 million from 896 screens. This monster fight movie likely sucked audience interest in Oscar-nominated action actor Robert Lorenz. The setting is a remote coastal town in Ireland in the 1970s. Neeson plays Finbarr Murphy, a former hitman who comes face-to-face with a menacing gang of terrorists. Starring cast including Kerry Condon, Jack Gleeson, Colm Meaney, and Ciaran Hinds.

Reviews have been positive from critics and viewers on Rotten Tomatoes. And Saturday was up 27% over Friday (excluding Thursday sneak peeks), which the distributor said showed excellent word of mouth. The film had the most showings on the West Coast at top theaters including AMC Century City, iPic River Oaks, Regal Irvine Spectrum, Cinepolis Del Mar, iPic Fulton Street, and Harkins Estrella Falls.

Neeson and Condon have been out promoting the film’s Venice premiere, including appearances on top TV shows across the country. The Late Show with Stephen Colbert and Good morning America.

Moderate emission: asphalt city From Vertical Attractions and Roadside Attractions, it opened on 298 screens for $130,000. Tye Sheridan and Sean Penn play two paramedics who spend a hellish night in New York City. The film, directed by Jean-Stéphane Sauveur, was a tough sell with critics with his 44%, but there is no RT audience score yet.

Limited release: They did a good job. Sony Pictures Classics starring Olivia Colman evil little letter It grossed $87,900 on five screens ($17,500 per screen). Thea Sherlock’s period comedy follows two neighbors: Edith Swan (Coleman), a deeply conservative local, and Rose Gooding (Jesse Buckley), a rowdy Irish immigrant. When Edith and other residents begin receiving mean letters filled with unintentionally hilarious profanity, foul-mouthed Rose is charged with the crime. But is she guilty? It premiered at TIFF.

Altas Distribution grosses $73,000 in three days at 55 locations for Vietnamese romance music drama fragile flowers Written by Mai Thu Huyen. In the film, Saha Tao (Maya) plays a beautiful young singer who takes the stage at the Itango Club for the first time, where she catches the eye of a music producer who gives her a gig singing in a music video called “A Fragile Flower.” obtain. It makes her famous and sought after. But all is not as it seems.

Alice Rolwasher’s La Chimera Neon earned $45,000 on three screens with a $15,000 PSA. Josh O’Connor plays Arthur, a young Englishman who arrives in 1980s Italy and joins forces with a ragtag group of tombaroli (robbers who loot ancient Etruscan tombs). It premiered at Cannes. Starring Isabella Rossellini, Alba Rohrwacher, Carol Duarte, Luca Cicovani, Vincenzo Nemolato.

Le Samurai Janus Films’ 4K restoration of Jean-Pierre Melville’s 1967 French noir starring Alain Delon grossed about $10,000 at New York’s Film Forum. Held until April 11th.

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